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The episode’s other main plot involves Roy “fixing” Isaac by taking him to play on the pitch of his childhood neighborhood, and in the process discovering that he truly is cut out to be a coach. Fieldstone - I fear he may wind up like Travis Bickle or that guy Michael Douglas played in “Falling Down.”

If Nate doesn’t get a handle on his status anxiety soon - paging Dr. And he is clearly the only person in the entire stadium who is nonplused at the idea of Roy joining the coaching staff. Coach Lasso gives him an “indoor” (i.e., silent) whistle.Įven a re-energized Isaac straightening Nate’s tie on the sideline at the match seems to annoy him. Ted laughs at the idea of him as a “big dog.” Keeley tells him not to try to be famous.
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Nate can’t get a free coffee maker, because they’re only for players. It begins with Jade, the implausibly rude hostess at a third-tier restaurant, and continues from there. When the episode is not name-checking rom-coms, it is a litany of slights to Nate, real or perceived. Nate also seems like he could use a little emotional assistance.
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Have you finished watching ‘Squid Game’ already? Here are six series and films you can stream next.
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Roy quits his TV sports pundit job with a “Sleepless in Seattle” line: “I have to go now.” And then, just like Meg Ryan before him, he catches a cab that can’t take him all the way to his destination, necessitating that oldest of rom-com chestnuts, the last-minute sprint to declare one’s love. Then the episode really starts showing off. Less than a minute later, we’re treated to a charming older couple in the stands at Nelson Road, who explain the story of their long-ago falling in love in pitch perfect “When Harry Met Sally” fashion - with a nice little wink at “Titanic” as a kicker. For any who missed it - or were briefly stupefied by the feat - he follows up almost immediately with “The Princess Bride.” In other words, we’re off. The episode finally reveals its true identity about two-thirds of the way in, with a stunning trifecta in which Ted semi-quotes “When Harry Met Sally,” “Jerry Maguire,” and “Notting Hill” to Roy within the span of 15 seconds. This meta-narrative is about the big screen, not the little one. Later, lest we misunderstand precisely where we’re headed, Rebecca asks Keeley about a comment she made: “Is that a joke from ‘Sex and the City’?” It is not. First, there is Coach Lasso’s early speech about his belief in the moral tenets of “rom-communism.” The squad, joining in, tick through their genre faves: Tom Hanks, Meg Ryan, Julia Roberts, Hugh Grant, Drew Barrymore, Matthew McConaughey, the “three Kates” (Beckinsale, Hudson and Winslet, with an awkward cameo by Blanchett), Renée Zellweger, and - not at all a beat too late, Dani! - Jennifer Lopez. Like last week’s episode, this one unveils itself slowly.

Luckily for me, I have almost as many strong opinions about rom-coms generally as I do about “Love Actually.” It’s easy to imagine that the two began as one concept, but the writers came up with so many “Love Actually” moments that they had to split off the first one into its own episode. Last week, we had a hyper-meta episode framed around “Love Actually.” This week, we have a hyper-meta episode framed around romantic comedies more broadly. So, is this the new format we should expect from “Ted Lasso”?
